Jan 2010: Jeffrey Reddick

1) What is the biggest challenge you feel that writers face today?

A) I think the biggest challenge for writers is being at the mercy of an industry run by people who are more focused on the bottom line than creativity. Personally, I think you can write a great film that’s also commercially successful. But the current development process is geared towards making scripts as safe and mainstream as possible. I come from a studio background, having worked at New Line Cinema for over 10 years. And there was a real maverick spirit there back in the day. They weren’t afraid to try new things. But a lot of executives are so afraid of greenlighting a film that fails, that they hire a stream of writers to rewrite the script to death and resort to formulas that appeal to the lowest common denominator. They’ll “dumb down” a script in the name of mass appeal. Or do remakes over original content because it feels safer.

But on the bright side, with the advent of the digital age, it’s a lot easier for writers to get their scripts produced outside of the studio system and find an audience.

2) What has been one of your biggest challenges specifically?

A) My biggest challenge stems from the first question. It’s trying to find that fine line between creativity and commerce. But in regards to a particular project, it was probably writing the remake of “Day of The Dead.” That was a situation where I took the job, fully intending to make a film that appealed to the fans of the original film and brought the story into modern times. But after I was hired, it became clear that they didn’t want to make that movie. So, it was a constant struggle to keep in the themes, characters and set pieces that I knew the fans of the original would want to see. In the end, I lost that fight. Writers just don’t have the clout in the film world that they have in television. I say that was my biggest personal challenge, because it was just about me, but the fans of Romero’s original film. I’m a lifelong horror geek and I knew touching a George Romero film was a risky gamble. But I sincerely thought we could make a film that was reverent to the original and introduce a new audience his classic. And when we didn’t achieve that, I felt like I let down the fans.

3) Where do you find your inspiration to write?

A) My inspiration comes from having a story that I want to tell. The thing I love about the horror genre is that you can touch on so many universal themes and affect people on a primal level. I love scaring people, but I also try and layer in elements to make them think. (I hope that doesn’t sound pretentious.) With “Final Destination” it was the fear of death. With “Tamara” it was a female-empowerment, revenge-of-the-geek story. My latest script deals with the consequences of not helping your fellow man…or woman.

4) What current projects are you working on?

A) I’ve got several projects I’m really excited about. The first is a supernatural TV series I created with a dear friend, David Sporn. Gale Anne Hurd is producing it. She created “The Terminator” with James Cameron and produced it, along with “Aliens,” “The Abyss,” “Tremors” and many other great genre films. So having Gale involved is amazing. I’m also putting the finishing touches on a new script that’s part thriller/part supernatural horror. And I’m close to locking in the financing for my directorial debut.

5) Is horror your favorite genre?

A) Horror is hands down my favorite genre. I started watching horror films when I was a wee lad. In the beginning, it was all about the gore. But over time, I began to appreciate the fact that you could scare people on a much deeper level. My friends, who write comedies, love to hear the audience laugh during their films. I love to hear them gasp and scream.

6) You, of course, are mostly known for the Final Destination franchise. Have your tried writing anything else besides horror?

A) I’ve written one thriller and I had a spooky animated series optioned by The Cartoon Network. Most of my stuff has been horror films or thrillers. But I’ve got a cool sci-fi project I want to tackle someday. And at some point, I’d like to write a comedy. I don’t know how it’ll turn out, but some of my friends say I’m funny. But I think they may just be humoring me.

7) What is your ideal writing sanctuary?

A) I usually write at home or at a coffee shop. Writing is a very solitary thing. I find that if I write at home too much, I start getting stir crazy because I’m not interacting with people. I like the coffee shop, because it’s such a cliché.  Seriously though, I have a lot of friends there, so I can get my social interaction and not feel like such a hermit.


8)Do you think that being openly gay affects your writing?

A) Every facet of who we are, and what we’ve been through, influences our writing. I think one thing about my scripts, which isn’t standard for horror films, is that I like to write strong female characters. And I don’t do it in any kind of fetish way, where the girls are dressed slutty, kissing other girls and then kicking ass. I think that’s more of a straight male fantasy of a tough chick. I’ve always respected the strength of women, mainly because my mom is one tough, Southern broad. And I never write stereotypical gay characters. For decades, gay caricitures in horror films have been set up as the brunt of easy jokes, or as someone that the male lead can recoil from in order to assert his straightness. So, I’m mindful of that.

9) What are your goals/aspirations?

A) My current goals are to set up the TV series and direct my first feature. But in the long run, I would love to be in a position where I can produce and finance films. I’ve seen too many great scripts go unmade…or worse, get turned in to crappy movies.

10) What one piece of advice would you give to aspiring screenwriters and/or filmmakers?

A) The thing I constantly tell writers is do is write. It sounds obvious, but that’s the one thing you have control over. It’s also the only way to grow as artists. All my stuff isn’t gold…but over the years, I have evolved and hopefully gotten better with each script. And one last piece of advice, which applies to writers and filmmakers, is to try and finance your projects independently. The independent route is the best chance you’ll have to see your script, or film, get made right. Studios will market test and second guess the script…changing it at the whim of a director, producer, actor or test group. With all of the advances in digital, it’s gotten affordable to make your own film. That way you can have a product you’re proud of and a calling card to get more work.

Genius is Next to Insanity

So a few nights ago my friend Tony Sago invited me to an advanced screening of Sherlock Holmes with a Q&A afterwards with Robert Downey Jr. This is one of the many "perks" of living in LA and working in the film industry. But as a writer it is also extremely advantageous because it allowed me a small glimpse at an actor, who I believe to be an utter genius on screen.

Now that is a huge statement to make and I know that there are people who will both agree and disagree with me but, to me, it really is hard to deny his talent. Just for the record, I'm a huge Sherlock Holmes fan. My mother introduced me to the stories when I was kid. I'm actually half way through the second book of collected stories (which I highly recommend to anyone who hasn't read them.)

I found the movie amazing. I really did. It was funny, clever, well performed, and beautifully shot. It is one of my favorite films thus far for 2009. However, afterwards, was where the real inspiration for me happened: the interview with Robert Downy Jr. Now, I won't say that it was life altering or anything like that. But I did find it inspiring in many ways. None of us are strangers to his past. His drug and alcohol abuse, the arrests. It was hard to see someone we loved on screen for so many years fall so low. But he did the unthinkable...he recovered, became sober, and began acting again and came back with such force. It was like he needed that period of his life to regain confidance or, perhaps, a better perspective on life.

Listening to Robert talk the other night was one of the few moments in life that I will always treasure. He was very witty, charming, and most engaging. He literally took over the interview with fun stories and quips of being on the set while filming the movie, what it took to prepare, how he got the role. There is no doubt that Robert Downey, Jr is zany in real life. It may possibly explain why is presence on screen is so larger than life. And I've just often wondered if Genius is next to insanity.

I suppose that could be so. I mean, look at the late Michael Jackson. He was in scandal after scandal after scandal. Near the end it seemed as if he had become just a caricature of himself. He lived an extravagant life; living in a mansion that he had turned into an amusement park. Strange as it was, we as fans were always intrigued by the way he lived his life. It was, dare I say, almost surreal. But his music, it seemed to speak to so many across the globe. There isn't a Michael Jackson song that no one doesn't know. He was an icon who had reason beyond the stratosphere when he died.

I suppose that you can still be extremely creative as an artist and NOT have to be insane. In fact, I know that you can. But I wonder if there is a fine line between the two and I wonder just exactly how they both truly affect one another.

Poor Man Copyright

So I am struck with brilliance and I sit down to compose my masterpiece to paper (or sometimes to my computer). I know it isn't complete and there will still be many changes but I want to protect my work without having to constantly copyright it, since that can be costly. So, I put the newly written piece into an envelope and I mail it to myself so if I ever to dispute it being stolen I have a dated piece of material dated by a Federal institution: the post office!

Well that is no longer the case. According to the film production law blog a 'poor man's copyright" is a poor solution for copyright protection.'

Check out the article here:

Film Production Law Blog

April 2009: Steven Reigns

Steven Reigns is a Los Angeles based poet and educator. After earning a degree in
Creative Writing at the University of South Florida, his début poetry collection, Your
Dead Body is My Welcome Mat, was published in 2001. Since then, Reigns has published
two chapbooks, Ignited and Cartography, and taught creative writing workshops around
the country to gay youth and people living with HIV. For three years, Reigns served as
Literary Director for Tampa’s GLBT community center. Currently he is working on
S(t)even Years, a 7-year endurance performance under the mentorship of performance
artist Linda Montano and is also at work on a new collection of poetry entitled
Inheritance. He recently edited My Life is Poetry, an anthology of autobiographical poetry by GLB seniors. www.stevenreigns.com

1) What is the biggest challenge facing writers/poets today?

I think creative people’s challenges have been similar for decades, if not centuries, we wrestle with creating precisely what we envision and feel, we’re in constant exploration and observation of our inner and outer worlds. What’s unique to our time is the changing culture of print and its competition for our attention. Writing poetry, sans a small few, isn’t a viable means for sole income.

As far as the future of poetry, I’m not a fatalist. I embrace technology and feel that we’re in an exciting time. Fifteen years ago we lamented on the dying art of letter writing. It would have been impossible to imagine what we have today—email. I realize it isn’t the same thing but if we embrace the change it’s easier to recognize that more people are expressing themselves with the written word than twenty years ago. I’m confident poetry will have a similar fate. Just last week I was scouring the net and downloading poets into my iPod. Technology or some type of cultural shift is going to give poetry new life. In many ways, I think poetry, with its brevity, has the potential to become favored over novels.

2) What has been one of your biggest challenges?

The first is finding time. I don’t think this challenge is unique to me. I’m so engaged in life and find so many things of interest that it can sometimes be easy to neglect my writing time. The books on my shelf and the blank page have lots of attention competition and don’t seem to cry from neglect.
I’m also not immune to self-doubt. There are times I question the importance of what I’m doing. I even get into the comparing game and think of all of the talented poets out there vying for the same space in journals, publisher’s printing presses, and bookshelves. About two years ago I was flying out of NYC and kept staring out the window. I was like a kid again and awed at how many people were out in the world. My thought wasn’t “There are so many people, I should stop being one.” I felt excited to be on the planet, able to join-in and witness life. I soon began to think similarly about my poetry—I’m joining a pantheon, not battling in the coliseum. There is enough room for all of our voices.

3) Where do you find your inspiration to write?

I think anything can serve as an inspiration to write, we just need to allow ourselves the time to do it. Linda Montano wrote that everyone has a chicken story. The first time I read that, I thought it was ridiculous. Then, when I gave myself time, I realized I had one too.
As a poet, I gather what is around me and inside of me and put it into my work.
Generally to write a poem I like to have two ideas or two sources of inspiration. Sometimes one element doesn’t seem to be enough to sustain a poem. As an example, smells can quickly take me back to a time and place. Smelling the perfume soap my grandmother used could be a poem but I like poetry to be a bit more complex than that. I’d couple that poem with a story about sitting in her beauty parlor or relate the aromatic reminder to my first boyfriend’s cologne.
Inspiration for writing has changed over the years. Good writing inspires me. I’ll read a good poem and get excited thinking how I want to write something as good. I don’t think of this as competiveness, I think of it as almost a conversation. I want to be in that kitchen, cooking with those chiefs.

4) What current projects are you working on?

The biggest “project” I’m working on isn’t directly poetry related. In December I will graduate with a Masters in Family Therapy. When starting the program I wrote supportively in my journal “You’re not leaving poetry behind, you’re leaving poverty behind.” I was tempted to get an MFA but I was unsure about my interest in teaching in academia.
As a poet, one needs to find a way to support themselves; poetry isn’t going to be enough. My course of study, psychology, focuses on the personal and relationships. My poetry has had the same scope. Shortly after starting the program I read the Sigmund Freud quote, “Everywhere I go I find that a poet has been there before me.” Anne Sexton has a poem about the similarities between the professions, “Said the Poet to the Analyst.” If I desired I could even specialize in the emerging Poetry Therapy field. The deeper I get into it, the more surprising the similarities.

5) Do you mostly write in free verse?
I have quite a few poems that are forms but I’m a fan of the narrative block.
I think one of the dangers of form poetry is that the message or meaning gets distorted because the poet tries to push a story or experience into a container that might not be appropriate. It’s important to know what container fits best for ones story. There isn’t a one-size/one form fits all proportion. That’s why it’s important to know forms and what works best within them. In my classes we avoid all end rhyme. It usually makes a poem sound like a nursery book.

6) What else do you write besides poetry?

For three years I had a bi-monthly column in a magazine. I’ve occasionally written book reviews and conducted interviews. Primarily I write poetry. Right now I don’t have an interest in anything else. This is a rarity in Los Angeles where there are so many aspiring screenwriters. I went on a date with a guy who was amazed I only had interest in writing poetry. He thought it lacked ambition and asked annoyingly, “Don’t you ever want to do anything bigger than that?” I told him that poetry is big, it’s the biggest thing in my life and I never tire of it.

7) What is your ideal writing sanctuary?

I’ve long given up the idea of a writing sanctuary. Focusing on the perfect one or how I don’t have one seems like a good excuse to procrastinate or a good reason why I’m not writing. Ideally, I’d write down a poem when the idea comes to me. This isn’t always the case, I’d be a more prolific writer if I were as open to ideas as I was in the past. I was forever pulling my car over and jotting down ideas, stopping mid-shower to write a verse. I still keep a notebook near my bed but the urgency to write down every idea isn’t as strong. Maybe my feelings of needing to immediately write the thought came from some type of starvation thinking. I’m more comfortable with myself as a creative person, I know my output is endless. I believe the strong images will be waiting when I’m ready to write. The challenge currently is setting aside the time to write.

8)Do you think that being openly gay affects your writing?

My flippant answer to this question is that everything affects my writings. However, I know it’s more complex. Such questions are common during queer writing panels and at conferences. What makes a work gay? What is a gay sensibility? I took a weekly pottery class for four years. One night I was looking at a shelf filled with my work, the only gay male, and that of my classmates. I’m not so sure potters talk about the gay sensibility of their work or if their gayness affects their work, they just make it. The same is true for my poetry. I don’t feel the need to represent my community when I write. If I did, I’d be paralyzed with pressure. I’m focused on representing my experience or vision—that’s pressure enough. I hope readers can relate, learn, and empathize with the work but I don’t sit down with an audience in mind.
Gayness and being a writer has always been intricately linked for me. When I first had sex with a guy at age sixteen, I wrote about it in my journal. Later while reading that entry to my friend Stephanie Recht, she encouraged me to write more and I followed that advice.

9) What s your next project?

On April 15th, I’m teaching a free autobiographical poetry workshop at The West Hollywood Library at 6:00 PM that is co-sponsored by Friends of the West Hollywood Library. On April 27, I will perform at Queer Mondays at Highways Performance Space at 7:30 PM. I enjoy teaching poetry workshops and connecting people with the joy of writing poetry and finding a creative outlet. I still teach the monthly autobiographical poetry workshop My Life is Poetry for GLBT elders.
I have a finished collection, Inheritance, which I’m submitting to presses. I’m three years into my seven-year performance piece S(t)even Years. Each year I focus and move my way up to each chakra of the body. There’s a chapbook for each year but these have very small runs and are limited editions.

10) As of right now, what are you most proud of with your writing?

I’m always the most proud of my latest accomplishments. Most of my work is autobiographical and the writings are documents of that time. I think I’ve become a better writer but also a more astute observer and a healthier person. My new work reflects that. The honesty and integrity of my work hasn’t wavered but the pacing, rawness, and immediacy have changed. I’m quite happy with where I am and the direction of my poetry. I look forward to observing where poetry takes me and where I take the poetry.

The Purpose of Apples

So I held auditions for my short film "The Purpose of Apples." It's the story of Ethel and Caden who meet at a bus stop in LA at 8 in the morning.

There were so many amazing actors. Each one of them brought something different to each character. It was nice to see the various interpretations!

So after sitting down with a bunch of head shots and looking through resumes and watching 30 auditions, I have finally reached my oscar winning cast.



Ethel: E Fe



Caden: Andrew McGuinness



Young Ethel: Djakarta




Herb: Mike Wade




Alyse: Jamie Willey


Flower Guy: Daniel Frank

Being an artist

The one thing about being an artist is learning to deal with the frustrating times. For instance, my good friend Andrew is having a moment of what he calls "actor's block." It's sort of like writer's block but only for actors. He's a phenomenal actor but, just like rest of us, had an off day. He had an audtion this afternoon for a play called Carved in Stone. We went to go see the reading last weekend and really enjoyed it. He'd really be perfect as one of the lead roles. He knows, I know it. But he went in for the audition today to be an understudy and just didn't do well. It happens. It doesn't make him a bad actor; it just makes him an artist.

This is something I have to remind myself constantly of when it comes to my writing. It seems for every good thing that will happen that pushes my career forward it always seems there are three things after that drag it backwards.

The one thing I'd like to remind all artists is that there will always be lows for every artist. Even the established ones. It's about remaining positive, keeping faith, and never giving up. I struggle with that myself almost daily. But my love of writing always, always surpasses my desire to just throw in the towel!

January 2009: Veronica Craven

1) What is the most challenging thing facing writers today?

The most challenging thing writers face right now the the fact that every time you think you have something original that no one has ever thought of or done before or said quite how you've said it, you find out it has. And better.

2) Where do you find your inspiration to write?
I find my inspiration in my life experiences or fantasies I could never act out other than on paper. There will always be some of my reality in everything I do. I think that's true for most writers.

3) What current projects are you working on?
Right now I am in pre production on a film I wrote called "Zombie King". Michael Norman Mann helped me on the screenplay. It's a post rapture party story of a lonely little zombie trying to hold on to her humanity while going on a 'Wizard of Oz' type journey to find the Zombie King who can 'cure' her.

4) Who are some of your favorite writers?
I love Stephen King. Love, Love, Love him. If I were a man, I would be Stephen King.

5) What's your favorite genre/medium to write in?
I tend to gravatate towards Erotic Horror. My writings have always been dark and pretty graphic. I've had to edit them significantly to fit an outline or treatment.
Now if you are talking about what do I like to use to write with. I have my note pads, shiny pens and pencils. I have tons of notes on scenes or characters, or general outlines. Only when I have somewhat of a complete item, will I use electronics.

6) What is your ideal writing sanctuary?
In my bedroom, or on BART. Love BART for writing. Much fodder for the mind.

7) How has working in cable influenced your writing?
Writing for television is much different than writing for the silver screen or a publication, or even a webzine for that matter. It requires a different skill set, or, rather, the force of you developing one fast! You have to be able to divorce yourself from your 'baby' it is not yours and they will tell you when they want it changed. They always want it changed.

8) As of right now, what are you most proud of with your writing?
Two peices pop into my mind: an horror erotic short titled "Sam Knew Better", it was published in a San Francisco underground magazine last year; and the "Zombie King" script. Those two I am very proud of.

These UnUnites States

My oldest nephew sometimes likes to sit with a journal and compose his thoughts...he read this to me on Christmas Day. I thought it amazing coming from a 14 year old.

These UnUnited States

This word is an overpopulated mental hospital
Everyone walking around like zombies with chains
Everyone is thinking with invisible brains
We have all these
Damn poets who need to play with words to keep themselves sane
Another activity.
Another Activity!
Is what they need
So caught up in their so called work
If they stop they hypothesis that they'll bleed
Another elixar
To stop the contimplation
So stand united in this so called nation
It used to be
Now its just an age old apparation
A ghost
An excuse to boast
From coast to coast
Even the most
Intelligent raise it to a toast!
What will it take
To make this nation true
Its enevidible
Everyone is fake!
Everyone is saying how their so special
What the fuck am I supposed to do
Bake them a cake?
Now we have the government liein'
They're not even tryin'
They say they care but take a look at all the soilders
They are all dyin'
This shithole nation is so caught up in war
The population dont even know what they're fightin for

TJ Baumchen
Dec. 25, 2008

Lit and Music Review

I was published in this month's issue of Lit and Music Review! (page 7)

Get your own - Open publication

When Hate Reigns

Inaugural day.
The crowd gathers; people clamor
as Hate steps up to the podium.
He is calm, collect.
The weather is cool, brisk.
The people are excited and alive from the commemoration.
Hate is poised over the calamity of noise
as onlookers stare up at Him in awe.
Tall, almost elegant with His grand gestures.
His voice thunders in everyone’s head.
He speaks:
“People! People! I am here today –
before you –
as a symbol of a new beginning that is about to take place.
We are on the threshold of a new era,
an era free from the destruction of obscenity;
the infestation of affectivity.
At the forefront of this populace
I shall begin the absolution to freedom.”
And Hate smiled.
And the people cheered
for they had a leader who was brave.

Then there was a dark cloud that loomed above - -
fat and swollen with rain - -
but the people didn’t care
for rain was good
it fed the ground,
which nourished life
so it mattered none that it was murky mysterious rain.

And the rain fell,
and Hate smiled,
and the people cheered
for they had a leader who provided for the people.

Then a might wind rose
and carried with it the spirit of transformation,
the embodiment of change.
The wind was good because it brought change –
change was good because it is fundamental
so it mattered none that the wind eroded the land
that the rain had cultivated.

And the wind blew,
and the rain fell,
and Hate smiled,
and the people cheered
for they had a leader who pioneered growth.

Then the land trembled
and it shook with the force of a thousand secrets never revealed
and the rumbling of truth that none believed.
But it was good because it carried the knowledge of the beginning of time,
so it mattered none that time tumbled away under the roar of the soil.

And the Earth shook,
and the wind blew,
and the rain fell,
and Hate smiled,
and the people cheered
for they had a leader who promoted the sovereignty of faith.

And Hate stood motionless at the pulpit.
The crowd trampled over one another
for a glimpse of His auspicious demeanor,
that flicker of something almost sinister in His eye,
which they knew meant that He was a man of great power.

And Hate smiled
and the people cheered
for they had a leader who would lead them through a revolution –
and the Earth shook,
and the wind blew,
and the rain fell,
and Hate smiled;
but the people
the people quailed from this future
for it was different
it was unfamiliar.
And Hate stepped away from the platform
as the onlookers stared up in awe.
The silence echoed through the heart of each spectator.
This was, indeed, the commencement of a new instigation of life.

Written by: Michael Coulombe
© 2008

Inspiration at Ground Zero

This blog is about inspiration. Where it comes from...where writers find it. It's elusive at best; sought after constantly. Where do writers get it from? It's the one question I ask whenever I meet a new writer. Each writer is different and therefore they find inspiration in so many different ways.

When I'm asked what inspires me the only answer i give is: life. I am inspired by life! It's the most simple answer I can think of. I'm a people watcher. I'm always intrigued as to how people behave in public vs. how they differ in their private homes. I sit at the airport, or the mall, or while I'm at lunch and watch how people relate to each other or those around them. Each person has a story and, as a writer, sometimes I find myself filling in the blanks on their life.

Writing is often more or less a fictionalized version of how we interpret life. So I try to note everything around me.

One of my biggest inspirations thus far is my recent trip to New York City. The last time I visited I was 9. I don't remember too much about the trip, however. So I started this trip with a new fresh perspective.



I came to New York wit 6140 Productions to make a movie called The Four Faced Liar. We filmed for six days and I've had the last three days to myself to enjoy the city. This is where my true inspiration began. Although, we filmed at 4am in the West Village, I learned then exactly what the night life in New York is really like. That was quite a shock to this LA boy who always though bars closed at 2am.



But I found the night life inspiring. The people that were attracted to it. The way the buildings were lit. How they towered over everything, protecting it against the world. They're almost celestial bodies at night! I realized early on how New York is it's own character. There is something magical and surreal about the city. It's almost familiar even if, like me, it's your first time.

I walked around Times Square, around Broadway, around Chelsea, West Village and met my favorite actress and friend in Astor Place. Everywhere you go there is a small piece of history or architect that demands a tiny portion of your attention. It's splendidly marvelous.




Today, though, I have tickets to see my first broadway musical on broadway! Spring Awakening this evening at 7pm. (And theatre is a great inspiration!) However, this afternoon I took the liberty of taking the 6 train down to the World Trade Center. I got off the train and walked the three blocks to where these majestic buildings used to stand. Amongst the towering buildings still standing, there is a great hole when you look up. It's almost as if their shadow still rests there. It's humbling. To stand there and see the great emptiness and know, wonder even, what it must've been like to stand there in that same spot seven years previous and watch the towers, ablaze, full of concern, and fear, for the uncertainty. It's a fear I hope we no longer have to experience.

I made my way into the gift shop where I bought a few trinkets; my most treasured being a small metal bracelet I bought. They come wrapped in a small blue gift bag. They are randomly given to you and each one is embossed with a name of a victim from 9/11. I took my little blue bag and walked across the street to St. Peter's Parish. It once used to stand in the shadows of the towers but when they fell it became a relief center for so many including volunteers and fire fighters. I walked the grounds, saw the old headstones from the 1800's and stood in front of the little memorials inside the church honoring the victims of 9/11. I couldn't help but cry. I remembered eight years ago walking down the streets of LA holding a candle in memorium of these same people.




I slowly made my way back to the front sitting on a bench under the trees. I sat there in silence. The church so tall and strong out in front of me. I reached into my pocket and pulled out the little blue bag, where my metal bracelet wait inside. I pulled open the draw string and out came my bracelet: Jerrold Paskins, died 9-11-01 at the World Trade Center. My eyes swelled with tears as I held the bracelet, saying a silent prayer for him..and for his family who, to this day, probably mourn the loss of him.

I put the bracelet on, put the blue bag in my pocket and and stood up from the bench. Just like the rest of New York, I too needed to get up and move on. The new building is in the process of being erected. It will always stand for a beacon of hope for a city of so many people.

Elementals: A Brief Synopsis

"Elementals"
(Working Title)
By Michael Coulombe and Daniel Frank

"Elementals" takes place in present day Chicago. Kinetic Labs, a powerful and corrupt chemical manufacturing plant, sits nearby keeping an ever watchful eye on the citizens of Chicago.

Greg Kucowski, Tristan Bloom, Parker Howell, and Bryce Mackenzie met while growing up in a Chicago foster home. Life before entering foster care was no walk in the park. Each of them harbored a similar secret that not only put those closest to them in danger, but also kept them constantly on the run from those who meant them harm.

The foster home they each lived in acted as a sanctuary providing stability and safety. No longer being chased and no longer having to run from their unknown assailants, they all bonded and became family; confiding in each other their deepest secret. Upon exiting foster care they pursue various careers; however, are able to remain close to each other. No longer residing in the safety of their foster home, living a normal life becomes a struggle...Normal is so hetero!

Little do they know how connected they are to Kinetic Labs and vice versa...Sometimes the best hiding place is right under your nose

A fun filled day

So today was a wonderfully fun filled day. This morning I went to my friend Darcey Stubblefield's house to record an audio track for my children's story "Squeak the Mouse." Darcey is the lead singer of the band Blind Ruby. (CD available on cdbaby.com.) That was a lot of fun. I hadn't been in a studio for awhile so it was a good feeling to be back in front of the mic, with the headphones on. And then while we were recording the track for Squeak the Mouse, Nancy Villere was filming us with the video camera to get all the behind the scenes hi-jinx. Thank you so much Darcey and Nancy. And also thank you James Stubblefield for adding your own touch to Squeak the Mouse!



So, now I have the audio for it. I would like to add some sound effects and then have it composed. This will make a nice compliment for the children's book once it is illustrated and then they can be sold together as a package.

Then after the recording of "Squeak the Mouse." I drove back up into Los Angeles from the OC and attended the West Hollywood Book Faire.



I walked around the book faire for about two hours before I went on stage. I received a lot of good info about writing groups in the local area....but I was mostly intrigued by how many writers were there selling their books. Naturally, I was there to read from mine but I was hoping to sell a few copies, you know? Or at least create a little buzz. But then you get there and realize that everyone is doing the exact same thing. Of course, I had an advantage, I was reading from mine so people could hear my words, listen to me as I recited my poetic verses. And it's great to meet the writers and then receive an autographed copy. (Lord knows, I have several in my library.) But it must be hard to sit at a table and have people stand there, judging you while they hold your book contemplating whether or not they want it to sit on their book shelf for all their friends and family to see. Yep, being a writer is hard. But I do truly believe that the rewards outweigh the tribulations.

But then it was time for me to head on stage. I was nervous. But then as my friends started to show up, I began to feel more at ease. I've been performing since I was 5. i can do this!

This was my first book faire and it was a complete success. One of my best readings, I think. And just a blast over all. Thank you to all of my friends who showed up: Regan, Veronica, Steven, DJ & Brittany (and their friends), and Jorge, Eddie, and Javiar & Steven, and my dear friend Steven Reigns. Also, I saw Glen walk by once or twice in the background while i was reading. And then poor Brad who desperately tried to make it from Venice but called me and told me he got there just as the festival closed. Next time Brad.

I look forward to being a part of the festival next year. It really was a lot of fun and the audience was amazing (since it was made of practically ALL of my friends!) But truly, they are amazing to keep supporting me even though some of them have heard my poems like a hundred times! Thank you all.

Relaxing Weekend

One of the most important things about writing is being able to take some time off. Not that my mind ever stops working. I'm always composing in my head...and I do carry a notebook should I be struck with brilliance in the middle of the night (or while I'm on the crapper.) But one good thing every writer does, at least in my opinion, is take some time away to unwind and rest his mind.

So, I had my time to unwind this weekend when I went to go visit a good friend in Phoenix, AZ. I actually love Phoenix. I went in February for my birthday and seem to go back every other month or so. I honestly don't know what it is. I just enjoy it. I always have fun out there and will, on occasion, go with my best friend Mario.

So, I went this past weekend and now when I go I try to find locations where I could sell my book. Coffee shop/book stores, local haunts like that. However, my favorite watering hole there is The Teeter House.
This is a great spot. It's quaint, charming, the people there are nice. The food is excellent and the tea is brewed fresh every day (and throughout the day). Every time I go to Phoenix I have to have lunch there. I'm drawn to it.

My friend and I decided to have lunch one day at a pizza joint in downtown Phoenix. Unbeknownst to us it was closed for lunch; however, the Teeter House across the street was open. We were hungry, it was nice day outside...and so we sat down, had lunch, and fell in love with the place. I will talk to them about having my book there. And why not? They support the arts. Jazz nights on the weekends. I have saw a local poet with his book there. Oh, and they have free wi fi....so I'm definitely going to have to go and get some writing done there.

But now that I'm back, and refreshed I can begin writing. I've spent half the day yesterday working on my screenplay. it's very close to being done...and I'm excited about that. It's my first full length feature screenplay.....

Decisions

The last couple of weeks have been rather slammed (and rather difficult as well) for me. First, I worked on an action film called Ballistica, which kept me busy for 14 1/2 hour days and then the next day after that I started a horror film called Detention. It's fun but I am tired to say the least. I've been filming non-stop for most of the year. NOT that I'm complaining....however, it leaves little room for writing.

And my writing is frustrating because I've been working at it since I was 10....and it just seems that the harder I work at it...the longer it takes.

The show Boulevard with Elliot is going well. We're in the middle of a contract with SAG. Once that's done we can film. So, that's good. The project with Danny is not too bad either.....i'll finish writing next week before I start my new job. But i've tried for three years to get my play produced...and I don't know where to look, which avenue to follow. I need to finish my second book of poetry and I wish the illustrator for my children's book would contact me back....but he has seemed to disappear off the planet. Global warming, perhaps? Maybe he just spontaneously combusted!

With all that said, I've decided to slow down on the writing front....for now. Until, I can organize my life a bit better. That was the decision I had made earlier this week....until I talked to my friend Erik Powell in New York. He was trying to get his play produced as well. Then he decided to adapt it into a book and market it that way. Now, it's about to have it's first run in New York. I'm so proud of him.....so I have decided that even though my writing is just a hobby....that I'm going to adapt my play "You Can Call Me Eve" into a book. I've toyed with the idea for a while.....so I think it should be done. So for the next two - three months I will be working on that while I film.

I guess i'm just a glutton for punishment....but writing is a must.

Oh, and I must mention that I'm going to be acting in a play in November. Whew! Hopefully I'll be able to squeeze in a trip to London. I've always wanted to go and I've never been...and as a writer I think it would be the trip to help to kick start my creativity, especially since a trip to Paris could happen while I'm there. ;)

Celebrate Good times....come on!

I want to give a big shout out to all of my peeps for coming to see me on Friday night and being a part of my celebration. Unfortunately, I planned it the same weekend as Comic Con (unbeknownst to me) and lost a few casualties; however, it was still a magnificent event.

It was a simple and elegant evening. My friend Tracy and I arrived about ten minutes past 8 and there were already a few people there. My friend Ian had driven in from Riverside with his new girlfriend, Tammy. I had never met her...and she is just absolutely delightful. A real knock out. I think Ian has definitely found a keeper. Goran and Jeremy were there. I was excited because I had met these two a few weeks before at a Smoking Cocktail event....and Jeremy and I had managed to stay in touch.....Jeremy is a delightful man who is here from France learning English.

Well as the night progressed more people showed up, including the graphic designer Armin and his wife. A lovely couple. So many people wanted to meet him as they were impressed with the cover this second time around.

So, drinks were had....laughter ensued...and fun was aplenty.

And that was how I celebrated the second edition release of Swimming the Storm.


Tracy, me, and Jeremy


Poppy, me, Tookie


Me and Jesse

Swimming the Storm

Tonight, July 25th, 2008 at 8pm at O Bar in West Hollywood, CA I am celebrating the re-release of my first poetry book "Swimming the Storm." This book is very special to me. It's the first book I ever wrote since moving to LA 10 years ago.

The book, in itself, was a journey. I had joined a writing group. An all black spoken word group that met at the DWP building on the corner of Crenshaw Blvd and Kings. The lesson I learned in this group were most valuable to me as writer. Most of the people in the group were seasoned writers....and the people I met through them enhanced my ability as a writer. Up until this point I had dabbled in poetry slightly but was mostly writing fiction. (At that time, i was working on a novel) So, this was all new.

When I started performing, people started to know my work. And then people would ask if they could buy my work but I didn't have anything available. So, while in the writing group, I went through a terrible break up....and all of my poems were dealing with that issue....and that's where the motivation for Swimming the Storm came from. The first cover was designed by my close friend James and I printed 250 copies.

Five years later, I run into people who have visited my website or learn of my book from talking with me and want to purchase the book. I no longer have any copies left....so I made the decision to reprint it. The cover was designed by Armin Torrentos, Jr for the second addition....and tonight, July 25th, is the celebration of that reprint.